Moriarty by Anthony Horowitz: interesting but unsatisfying thriller

Sherlock Holmes is dead. 

Days after Holmes and his arch-enemy Moriarty fall to their doom at the Reichenbach Falls, Pinkerton agent Frederick Chase arrives from New York. The death of Moriarty has created a poisonous vacuum which has been swiftly filled by a fiendish new criminal mastermind.

Ably assisted by Inspector Athelney Jones, a devoted student of Holmes's methods of investigation and deduction, Chase must hunt down this shadowy figure, a man much feared but seldom seen, a man determined to engulf London in a tide of murder and menace. 

The game is afoot . . .

My review:

Having loved the first book in this series, The House of Silk (well worth a read if you've not done so already), I was really looking forward to this follow up and read the whole story very quickly as a result. It's not entirely what I expected - yes, the description is fabulous and you do really feel as if you're walking through Victorian London with all the sights, sounds and smells that entails. The plot is also first-rate.

However, neither Holmes nor Watson appear in the novel until the very end (via a curious short story addendum) and there is therefore a great sense of frustration. The level of violence is also more than is necessary to my mind and I didn't need to have such detailed descriptions of it. The ultimate twist is good, but not what I hoped for and the end is ultimately very unsatisfying indeed. If there's a third book, then we do really need to have Holmes and Watson in it! Please?...

Anne Brooke Books

The Girl You Lost by Kathryn Croft: psychological page-turner

Eighteen years ago, Simone Porter’s six-month-old daughter, Helena, was abducted. Simone and husband, Matt, have slowly rebuilt their shattered lives, but the pain at losing their child has never left them. Then a young woman, Grace, appears out of the blue and tells Simone she has information about her stolen baby. But just who is Grace – and can Simone trust her?

When Grace herself disappears, Simone becomes embroiled in a desperate search for her baby and the woman who has vital clues about her whereabouts. Simone is inching closer to the truth but it’ll take her into dangerous and disturbing territory. 

My review:

A good page-turning read and I very much liked the main character, Simone. However, as other reviews have said, there are so many books like this now that the 'female in jeopardy' novel is probably rather old-fashioned. Also, I worked out the twist a third of the way through so the ending was no surprise, and on a really picky note, I don't think you can draw blood from trying to stab someone with car keys but I'm not prepared to put this to the test, LOL!

However, still a good quick read and I will probably try this author again.

Anne Brooke Books

Holding by Graham Norton: old-fashioned charm in a page-turning read

The remote Irish village of Duneen has known little drama; and yet its inhabitants are troubled. Sergeant PJ Collins hasn't always been this overweight; mother of­ two Brid Riordan hasn't always been an alcoholic; and elegant Evelyn Ross hasn't always felt that her life was a total waste.

So when human remains are discovered on an old farm, suspected to be that of Tommy Burke - a former­ love of both Brid and Evelyn - the village's dark past begins to unravel. As the frustrated PJ struggles to solve a genuine case for the first time in his life, he unearths a community's worth of anger and resentments, secrets and regret.

Darkly comic, touching and at times profoundly sad. Graham Norton employs his acerbic wit to breathe life into a host of loveable characters, and explore - with searing honesty - the complexities and contradictions that make us human.

My review:

A well written and interesting debut novel from Graham Norton. The characters are well portrayed and very sympathetic, and the small village setting is beautifully described. There's an old-fashioned feel about it - particularly in the way that setting tends to be described before we get to the character in each chapter - but that itself has charm and doesn't negate the page-turning quality of the story. The ending was very satisfying indeed.

Anne Brooke Books

Clariel by Garth Nix: one for the children

Sixteen-year-old Clariel is not adjusting well to her new life in the city of Belisaere, the capital of the Old Kingdom. She misses roaming freely within the forests of Estwael, and she feels trapped within the stone city walls. And in Belisaere she is forced to follow the plans, plots and demands of everyone, from her parents to her maid to the sinister Guildmaster Kilip. Clariel can see her freedom slipping away. It seems too that the city itself is descending into chaos, as the ancient rules binding Abhorsen, King and Clayr appear to be disintegrating.

With the discovery of a dangerous Free Magic creature loose in the city, Clariel is given the chance both to prove her worth and make her escape. But events spin rapidly out of control. Clariel finds herself more trapped than ever, until help comes from an unlikely source. But the help comes at a terrible cost. Clariel must question the motivations and secret hearts of everyone around her - and it is herself she must question most of all.

My review:

This is the first (and I think only) book by Garth Nix that I've read, or will read. It came across very much as a children's fantasy book and not really that engaging for adults. That's absolutely fine of course, but I wish I'd known this before I started. The beginning is very slow so it was a relief to get to the middle where the plot started to kick in.

Then a lot of things (murder! journeys! danger!) happen all at once which is great, but then it got a bit out of hand and there was way too much happening by the end so I lost interest and started skipping. It was odd because I started off really liking Clariel, but when she began to actually do something, I couldn't work out her reasoning so found her rather facile. Oh, and I hated the pesky cat. We really didn't need it - a bit of a 'MacGuffin". So, all in all, an okay read for the young, but not for me.

Anne Brooke Books

The Language of Flowers by Vanessa Diffenbaugh: a poetic and powerful story

The Victorian language of flowers was used to express emotions: honeysuckle for devotion, azaleas for passion, and red roses for love. But for Victoria Jones, it has been more useful in communicating feelings like grief, mistrust and solitude. After a childhood spent in the foster care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings.

Now eighteen, Victoria has nowhere to go, and sleeps in a public park, where she plants a small garden of her own. When her talent is discovered by a local florist, she discovers her gift for helping others through the flowers she chooses for them. But it takes meeting a mysterious vendor at the flower market for her to realise what's been missing in her own life, and as she starts to fall for him, she's forced to confront a painful secret from her past, and decide whether it's worth risking everything for a second chance at happiness.

The Language of Flowers is a heartbreaking and redemptive novel from author Vanessa Diffenbaugh, about the meaning of flowers, the meaning of family, and the meaning of love.

My review:

This is a powerful and poetic story about a young woman trying to find her place in life. Victoria's relationship with flowers is a fabulous metaphor for how she sees the world and the people in it. The exquisite prose and the sympathetic main character drive the story along and the time-shift scenes between then and now are superbly done. The only reason it didn't get 5 stars was because I thought the ending was too weak and it was too obvious that a lesson was being learnt - whereas I'd have preferred the character's fantastic voice to remain as gripping as it had been up until the final chapter. Still, a great novel and I shall look out for more from this author.

Anne Brooke

The Husband's Secret by Liane Moriarty: fabulous and gripping read

This is a brilliant piece of women's fiction and I absolutely loved it. I've not read any Moriarty's novels before but once I started this one I couldn't put it down. Yes, the time between Cecilia discovering THAT letter and actually opening it might be a tad too long for my taste, but I kept on reading, particularly because I was getting to know the other characters well too. There are some wonderful twists and turns in this book, and it includes moments of comedy and moments of great sadness.

The contrast between the terrible tragedy from the past and how people simply have to keep living their lives and dealing with all the hundred and one everyday situations which keep cropping up is excellently described, and I really felt for all the characters. In fact I was thinking about this book and the people in it even when I wasn't reading it - which in my view is always the mark of a great novel. Other things I enjoyed were the voice of Janie (the deceased daughter) and how her story weaves in and out of the present day crises. How the situation is understood and resolved by all the characters is both gripping and moving, and the section at the end where we see onward into people's lives and how characters have turned out is simply wonderful and I very much appreciated this unexpected epilogue.

Yes, this book is very good indeed and I highly recommend it. I'm looking forward to my next Moriarty novel already.

Anne Brooke Books

Mrs Palfrey at the Claremont by Elizabeth Taylor: a bleak but incisive novel

A subtly written book that’s very sharp about human nature. I was however hoping for something more light-hearted and vibrant, but those sections were few and far between. The picture of advancing age, vulnerability and approaching death, as well as the small but significant betrayals of family and friends, is essentially a grim one. It left me feeling very bleak.

3 out of 5 stars

Anne Brooke Books

Conversations with God Book One by Neale Donald Walsch: New Age irritation

This has some interesting gems of wisdom, but on the whole it's New Age-type vagueness writ large. Sometimes it strays into dullness, and it needed a lot of editing to make it have any kind of impact for me.

Still, I'm glad the writing of it helped the author through a difficult time, but it's curiously irritating. I won't be rushing out for the sequel!

Anne Brooke Books

The Quality of Silence by Rosamund Lupton: a wasted opportunity

The story is rather too full of cliche for me - 'woman in jeopardy', and partial 'environmental thriller' were both just a little dull here. The journey across the snow was also far too long and uninteresting and I did a lot of skipping. That said, Ruby (the daughter) has a very strong voice and is by far the most interesting character in the book. I particularly liked how Ruby describes words by taste and smell. The sign language is also well used as a key part of the plot.

I also enjoyed the mother/daughter relationship and tensions, but Matt (the father) was just far too flat and really very annoying. He appears directly in the book at far too late a stage, and then launches into a huge section of 'info dumping' concerning what exactly has gone on, which is very amateur. It would have been better if Matt could have had sections earlier so we discover things in the same timeframe as he does - this would have been far more exciting.

In general, this book could easily have been cut by a third, and I suspect the film will be far better than the novel. That said, the final scenes of drama are fun (though anything would be good after that dull trawl through the snow!), and the ending surprisingly delicate.

Anne Brooke Books

Sweet Caress by William Boyd: an interesting failure

Key issues about this book:

1. The fiction in an autobiographical style was interesting, but not particularly attention-grabbing
2. No character grabbed me (apart from Amory's brother and sister, from whom I would have liked to have heard a lot more as they have more interesting lives) and they all seem distant. Amory was written in a very 'thin' manner, with no substance to her, which was disappointing.
3. Amory is defined by the men in her life and makes lots of really important decisions on a whim and for selfish reasons
4. The photographs in the novel are excruciatingly amateur and a waste of time
5. The story is packed with cliches - e.g. the lover's wife being in a wheelchair, the blackshirt riots, the war pieces, the hippy community crisis and the undeveloped incident with Marlene Dietrich
6. Boyd writes Amory's sex scenes as if she were a man, sigh ...

Not one I'd recommend.

5 out of 10 stars

Anne Brooke Books

Past Secrets by Cathy Kelly: no real secrets at all ...

Behind the shining windows and rose-decked gardens of Summer Street, single mother Faye hides a secret from her teenage daughter Amber. Whilst thirty-three year old Maggie hides one from herself. When fiery Amber decides to throw away her future for love, and Maggie finds herself back home looking after her sick mother, secrets begin to bubble over. The only person on Summer Street who appears to know all the answers is Chrissie Devlin. Wise and kind, she can see into other people's hearts to solve their problems. Except that this time she has secrets of her own to face …

This all started out very well indeed and I was instantly hooked on Chrissie and her gift of sight, uptight Faye and betrayed Maggie. At the beginning of this book, I loved them all and couldn't get enough of them, to be honest. Heck I even liked teenage daughter Amber and that, for me, is a very hard sell.

So, a strange kind of kudos to the author then for somehow taking that very strong beginning and tearing the whole thing into tiny pieces. It all starts to go wrong about halfway through when we start finding out those deep dark secrets - and they turn out to be either (a) super-cliched or (b) no kind of decent secret at all.

I mean Faye's secret is a naughty night out with her callow would-be rocker boyfriend when she gets pregnant with Amber, and then flings herself into a self-imposed Pit of Shame, which means she can never talk about the whole thing and believes she's some kind of slapper. Really???! To me, as an Essex Gal, that just seems like a decent night out, after which we all have a laugh with our girlfriends and move on. I couldn't honestly believe Faye would change her whole personality and style so she makes herself unattractive to men for the next eighteen years, and even makes up a marriage and dead husband to put Amber off the scent. It's totally ridiculous.

Not, however, as ridiculous as Maggie, with whom I lost sympathy when she bounces back from her doomed love affair and meets another more suitable man within about a minute or so. Honestly??? That whole scenario was just laughable, again, and so slushy it made my teeth itch. I also thought her way of getting over being a victim of bullying at school was simply unbelievable, on all counts.

Nor indeed as ridiculous as the whole Amber plot: Amber ditches taking her exams and her plans to be an artist, and runs off to America with her would-be rocker boyfriend - yes, this is exactly the same type of man as her mother had all the trauma about, so doesn't Ms Kelly know any other kind of Bad Boy? Do they all have to be would-be rockers? How I long for some sweet young heroine to run off with a man who wants to be an accountant and plays cricket for his local village team, but alas I fear I might be waiting a while …. Anyway, Amber soon realises her man is hopeless and leaves him - but not before some passing stranger in the States has offered her a fortune as he loves her artwork (on the strength of one scribbled picture at a party!) and longs above all things to sponsor her talent. Major Unreality Alert!! Is the author playing a trick on us? This one made me laugh out loud this time, and groan too. And yes, in the end, Amber comes home and it's all marvellous and perfect, etc etc. Yawn …

All this ridiculous plotting would have been just about acceptable, almost, but what really made me angry as a reader was the way Chrissie is held up as a shining example of goodness and yet finally tells her poor husband James about her long-ago infidelity in the most cruel and heartless way I can ever imagine anyone giving that kind of news to their spouse. It's not Chrissie's infidelity I had a real problem with (though it is of course hugely cliched again …) but how cold and downright nasty her way of confessing it actually is. I found that scene very shocking, and I really wanted to give her a huge slap and tell her to grow up. I was glad when James walked out - he could definitely get someone a whole lot nicer. However, of course, eventually he comes back and says it doesn't really matter. Um, again, no. That's not how betrayal works in real life - the way back is never this easy.

The only characters who kept my sympathy throughout and who were really worth any attention were the lovely Shona (a friend of Maggie's) and her husband Paul - now they were a class act, very witty and wonderful together, and I wish the book had been about them.

However, all in all, I was relieved to get to the end of all this nonsense. Overall, it's a mismanaged and mis-written book, in which a strong start is sadly and comprehensibly ruined.

Verdict: 2 stars. Disappointing and frustrating.

Anne Brooke Books
Gay Reads UK
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